Into you I

                           
 Into you I 

編舞:蔡慧貞

舞者:Izumi Shuto, 蔡慧貞

首演:六月.2010伯 恩市立劇院Vidmahallen1

 舞作講評:

台灣舞者蔡慧貞在2008年演出的《Tanz-Made in Bern》已然展現了卓越的編舞功力。而在這次的作品《Lost in the motions》之中，由麥克奈曼(Michael Nyman)擔任配樂，蔡慧貞以職場上的反動及權力鬥爭為題，透過極具震撼的手法描繪社會窠臼──人們辛勞工作卻需保持緘默，令人厭煩的社會。

她的第二部作品《Into you I》中則描寫了兩個女人追尋獨特自我的過程。以強烈的音樂性與詩歌說服觀眾。  (DerBund, Mrianne Muhlemann, 13^th June 2009)

The Taiwanese dancer: Hui-Chen Tsai already proved her choreographic skills at last year” Tanz-Made in Bern “performance. This time, she sketches society clichés in “Lost in the motions” to music by Michael Nyman. The themes of mobbing at the workplace, power struggle & both are shown by strong images. “Lost in the motions” showed the annoy scenery within a hard working society that remains silent.

Her second piece “Into you I”, she shows the individualisation process of two women. He convinces with strong Musicality & Poetry. (DerBund, Marianne Muhlemann, 13^th June 2009)

舞評:

2008年由蔡慧貞主編了兩部作品。而今年的兩部作品主題卻又大不相關，每有新作但主題卻又極富多樣性。在這次的作品中，很明顯地蔡慧貞採用了帶有客座編舞家自身風格的物件，而她也不諱言承認：「是的，每當有新的編舞家入團時，我就會像海綿一樣迅速吸收他們所使用的手法與技巧。」這次，她表現的是則貼近生活的主題：職場性騷擾。表演中以幾經計算的節奏設定每日的行程：起床、準備工作，誇大的肢體動作反映了工作時的匆忙無情，將公事包轉變為災難一場。相較於以紅色光照表現辦公室中的親密關係，灰中帶灰的燈光表現出機械式的例行性公事，少有情緒。辦公室中的威權及上位者因自身的慾求跨越了人們心中的防線。一段寂寞的獨白則描寫著對此現狀的後續空想。藉由拉扯、攫取等動作象徵角色亟欲擺脫內心的汙玷，效果相當不俗。但此段表演中的怪異性，同時也挑戰著舞者Martina Langmann的功力。                          

                                             
                                                  (Tanzkritil, 27 June 2009)

Last year, Hui-Chen Tsai showed two pieces of choreography. Again, like last year, surprisingly steadily both are very different. The diversity of her work seems never ending. It is obvious that she takes on the stylistic devices of guest choreographer, in fact she openly admits to” Yes, when a new choreographer arrives, I sock up his methods like a sponge”.

This time, she took on a concrete topic: sexual harassment at the work place. The daily routine-waking up, getting ready –is set to an almost calculated rhythm. Due to merciless haste, all movements are exaggerated and the briefcase becomes a hazard.

The mechanic routine- grey in grey- is a welcome unemotional contrast to the intimacy of the office, which is lit in red. This is where the inner line in a human is crossed by the authority and superiors requires. A lonely solo depicts the windblown otherworldly aftermath of the situation.

The use of pulling, ripping movements to symbolize the desire to rid oneself of the inner stain works well. Requiring eccentricity and challenging the dancer Martina Langman.

                                                                                   (Tanzkritil, 27. June 2009)

Izumi Shuto / Hui-Chen Tsai/ Photo: Philip Zinner

舞評:

蔡慧貞成熟且具潛力的編舞功力在《Lost in the motions》及《Into you I》兩部作品中發揮得淋漓盡致，緊湊地手法中又帶有微妙的情緒深度，令人印象深刻。

　　

在《Into you I》中，以角色的情緒、關係、過往的陰影，打破作品的框架，彼此交戰卻又矛盾地互相對立。

而第二部作品《Lost in the motions》則描述時下商場上的侵略、權力鬥爭、群體動態及職場性騷擾顯例。

Mature Choreography with potential for a full evening work presented by Hui-Chen Tsai. Both choreographies “Into you I” and ‘Lost in the motions” are very expressive, show intensive images and are carried by a subtle emotions density. “Into you I” emotions, relationships& their shadows are breaking out of the frame to fight with & against each other. In the second piece “Lost in the motions” deals with aggression, power bottles, group dynamic in our recent business world and an intense example of sexual harassment in the work place.

                                (Solothurner Zeitung, Eva Buhrfeind13.June 2009)